Showing posts with label Luigi Fontana. Show all posts
Showing posts with label Luigi Fontana. Show all posts

Saturday, September 9, 2017

RICCI PALACE

Early sixteenth century for the Calcagni family
Mistakenly attributed to Giovanni Lippi aka Nanni di Baccio Bigio (about 1513/68)
The property of the palace passed in 1577 to the Ricci family and they still own it
It was expanded in 1634 with the FAÇADE ON VIA GIULIA
On the FAÇADE ON PIAZZA DE’ RICCI there are traces of frescoes by Polidoro Caldara aka Polidoro da Caravaggio (about 1495/1543) and Maturino da Firenze (?/1528)
It is the only palace, with Palazzo Milesi, where there are remains of the many frescoes that used to adorn the façades of many buildings of Rome at the beginning of the sixteenth century
“Polidoro was an original summoner of the ancient times who proposed a modern interpretation of the spirit of classical Rome and gave rise to a large repertoire of ideas and motifs that had inexhaustible fortune throughout the course of 1500s and found their self-definition as 'martial manner' of painting” (Carlo Bertelli, Giuliano Briganti, Antonio Giuliano)
The frescoes were restored at the end of 1800 by Luigi Fontana (1827/1908) who repainted them copying from seventeenth-century engravings (the added sections were recently removed) and painted second and third floors completely new
In a room on the first floor frescoes “Virtue” of the end of 1500s
The Roman art collector Mario Praz (1896/1982) lived in this palace from 1934 to 1969
St. John in Ayno
Adjacent to Palazzo Ricci with a SMALL RENAISSANCE FAÇADE
It was first mentioned by sources on 1186 as Sancto Johanni in Aginae
There is mystery about the origin of the name, perhaps a reference to the lamb (agnello) that St. John the Baptist is commonly associated with
It was deconsecrated in 1895 and used as a warehouse for building materials
Since 1996 it is owned and seat of the services company Ayno Videoconferencing

Friday, June 23, 2017

MASSIMO DECORATED PALACE

PALAZZO MASSIMO ISTORIATO
1532/36 Baldassarre Peruzzi (1481/1536) for Angelo Massimo
He built it on a preexisting building at the same time of the adjacent Palazzo Massimo alle Colonne
Also known as PALAZZO MASSIMO DI PIRRO for a statue of Mars found here and incorrectly believed to be an image of Pyrrhus
1877 restored by Luigi Fontana (1827/1908)
On the FAÇADE ON PIAZZA DEI MASSIMI paintings in monochrome “Stories from the Old and New Testament” 1523 maybe of the school of Daniele da Volterra (1509/66) for the marriage of Angelo Massimo
In the palace there was since 1467 the printing of Arnold Pannartz and Conrad Schweynheim, the first ever in Rome
“Some considerations lead rather to recognize it in a house that the Massimo brothers had in the immediate vicinity of Campo de' Fiori, along the Via Mercatoria, obligatory point of passage for Romans and foreigners, and therefore very suitable place for the sale of books produced in series. This same house - a sign of continuity in the use of places for both production and for sale - housed in all likelihood, after Sweynheym and Pannartz two other typographical workshops: the one of Eucario Silber and that of Antonio Blado, located «in field Florae in aedibus Iohannis Baptistae de Maximis»“ (Anna Modigliani - Dizionario Biografico degli Italiani Treccani)
In front of the building in Piazza dei Massimi COLUMN OF THE ODEON OF DOMITIAN found in 1937 and moved here in 1950