Showing posts with label Giuseppe Vaccaro. Show all posts
Showing posts with label Giuseppe Vaccaro. Show all posts

Wednesday, February 7, 2018

INA CASA MAMMOLO BRIDGE NEIGHBORHOOD

QUARTIERE INA-CASA PONTEMAMMOLO
1959/62 Giuseppe Vaccaro (1896/1970) designed the SOUTHERN AREA and Luigi Vagnetti (1915/80) the NORTH WEST AREA
It is situated between the Via Tiburtina and the Aniene River and it is inhabited by about 3000 people in 562 apartments
“It is distinguished by the peculiarity of the typological and architectural solutions adopted and the richness of the internal distribution of individual blocks. It constitutes a reference model for settlements with low population density” (Giorgio Muratore)
“He worked often in official commissions, and participated in the monumentality of the time by searching sometimes a futuristic interpretation, with elements in the language of Rationalism (Rome, Ministry of Corporations, today of Industry, Via Veneto, 1928/31, with Marcello Piacentini, Naples, Palazzo delle Poste, 1929/35, with Gino Franzi). His executive accuracy and the use of rationalist terms within a symmetrical architectural system (...) had considerable influence on Italian architecture” (Enciclopedia Treccani)

Thursday, September 29, 2016

PALACE OF THE MINISTRY OF INDUSTRY, TRADE AND HANDICRAFT

PALAZZO DEL MINISTERO DELL'INDUSTRIA, COMMERCIO E ARTIGIANATO

1928/32 Marcello Piacentini (1881/1960) and Giuseppe Vaccaro (1896/1970) on land originally occupied by orchards and convent of the Capuchin friars of S. Mary of the Immaculate Conception
Formerly known as PALAZZO DELLE CORPORAZIONI FASCISTE (Palace of the Fascist Guilds) now MINISTERO DELLO SVILUPPO ECONOMICO (Palace of the Ministry of Economic Development)
“The Palace of Guilds would distance itself from the image of a sort of 'palace of bureaucracy' and would want instead to be seen as a vindication of the modern and efficient over the obsolete and cumbersome. It was constantly proved by the choice of materials and of the most innovative equipment in the offices: the linoleum floors, elevators protected by shatterproof glass instead of grates, the pneumatic post, the blinds instead of the shutters, heating with oil instead of coal are all aspects of functionalism constantly sought by the architects. With regard to the outside, instead, the accentuated verticalism shown at the entrance, the presence of the two corner turrets, the use of the coating in travertine slabs and in stone from Montecompatri refer rather to the image of a medieval fortress, as well as medieval was the implicit reference in the concept of the guilds” (Official Website of the Ministry of Economic Development - www.sviluppoeconomico.gov.it)
Bronze portal with eight bronze panels of Giovanni Prini (1877/1958)
Frieze of red marble by Antonio Maraini (1886/1963) for the balcony above the entrance
Large glass in the atrium “Charter of Labor” 1931/32 by Mario Sironi (1885/1961)
“A dramatic and amazing artifact (...): the grim tale of the window, which denies the light and the quality of the glass rather than enhance its possibilities, is 'monument', and it is the true epic note inside the building. The glass also proposes, in the two side panels, a very personal variation of the guilds: renouncing to any didactic statement, as more general symbols of man, the usual figures of Agriculture, Trade and Industry are accompanied by Construction, Sculpture and Art” (Official Website of the Ministry of Economic Development - www.sviluppoeconomico.gov.it)
Seven large tapestries in the Hall of Honor “Guilds” by the brothers Pio Eroli (1903/80) and Silvio Eroli (1904) from cartoons by Ferruccio Ferrazzi (1891/1978)
Painting “Venetian Summary” by Fortunato Depero (1892/1960)
Painting “Madonna of the Air” by Enrico Prampolini (1894/1956)
“A rare example of religious subjects applied to the cosmic and spatial aero-painting by Prampolini. The concept of metamorphosis, the becoming substance, the creating of sidereal shapes-forces - which underpins the research of the artist in those years - create a successful and unpublished partnership with the theme of the Virgin and of her motherhood” (Official Website of the Ministry of Economic Development - www.sviluppoeconomico.gov.it)
In this building there are many works of art and craft by great Italian artists including:
Romano Romanelli (1882/1968), Gio Ponti (1891/1979), Francesco Messina (1900/95), Francesco Trombadori (1886/1961), Roberto Melli (1885/1958), Luciano Minguzzi (1911/2004), Fausto Pirandello (1899/1975) and others

Thursday, February 13, 2014

HOTEL PALACE BOSCOLO

HOTEL PALACE BOSCOLO 
1924/27 Marcello Piacentini (1881/1960) with Giuseppe Vaccaro (1896/1970), from a project of the Swiss Emilio Vogt. Piacentini here was inspired by the French Art Nouveau. The original name was Albergo degli Ambasciatori
It reopened in 1995. Restoration in 2010 by Italo Rota (1953), who also, with Gae Aulenti, designed the display of the MuseƩ d'Orsay and the Pompidou Centre in Paris
Frescoes in five large panels "Party with celebrities of the 1920s" 1926 by Guido Cadorin (1892/1976) friend of Gabriele D'Annunzio, for whom he also painted in the Vittoriale, D'Annunzio's home on Lake Garda