Showing posts with label Mario Fiorentino. Show all posts
Showing posts with label Mario Fiorentino. Show all posts

Monday, February 12, 2018

NEIGHBORHOOD UNRRA-CASAS St. BASIL

1955 Mario Fiorentino (1918/82)
Area of 8.5 hectares (21 acres) comprising of 180 apartments, each with a vegetable garden of about 150/200 m² (1,600/2,100 square feet), given to about 900 war refugees
The type of housing show an interesting Scandinavian influence
“The building types include row houses, simplex and duplex, which extend each one in an open space of their own. The reference to rural architecture is noticeable in both the construction technique, the adoption of a continuous masonry of the traditional type, and in the morphological details” (Giorgio Muratore)
It was built with funds from the United Nations intended to help the populations in distress for the war
UNRRA (United Nations Relief and Rehabilitation Administration) was an organization of the United Nations, based in Washington, established in 1943 to assist economically and civilly countries left badly damaged by World War II. It was discontinued in 1947. The funds came from countries that had not experienced devastation during the war
The new neighborhood replaced a rickety township built in the thirties of the twentieth century to accommodate families evicted from the city center during the fascist demolitions
It had been built with the so-called carpelite, a mixture of wood and lime
The houses of the village were so pretty much just sturdy huts and were known as Case Sette Lire (seven liras houses) or Casette Peter (Peter's small houses) from the name of the designer
“It may seem strange a decision to build in a city like Rome a neighborhood of such limited size (180 homes), but given the paucity of funding, it was decided anyway to build a small project that would somehow have an exemplary character. (...) Even today, in the vast outskirts of Rome, the 'Village St. Basil' succeeds in maintaining its particular character, a bit unreal, of a suburban residential area that the city's development hasn't virtually affected” (Piero Ostilio Rossi)
1963 by Augusto Baccin (1914/98)
In the building of the parish there is an embedded ancient medieval tower

Monday, January 22, 2018

CORVIALE NEIGHBORHOOD

QUARTIERE CORVIALE
1972/82 Mario Fiorentino (1918/82) who coordinated a group of twenty-three designers including Federico Gorio, Piero Maria Lugli, Giulio Sterbini, Michele Valori
It consists of two buildings of nine floors that run closely parallel for 980 m (3,215 feet), plus a third separate building
It is known by the nickname SERPENTONE (the big snake)
Originally built for 6,000 residents in 1,200 apartments, but many others have been added on the fourth floor that was occupied by squatters in rooms originally intended for businesses
The total population is therefore currently of about 8,000 people
“Corviale was inspired by the great bravado phalansteries of the twentieth century such as the Karl Marx Hof in Vienna or the Unité d'abitation of Nantes and Marseille, indelible mark of Le Corbusier. An explicit reference was made to the Italians Daneri, Vaccaro and Aymonino (Genoa, Bologna, Gallaratese). The cultural reference was rationalism and with this social promotion, empowerment of citizens, ultimately, European modernity. (...) 'Sure, some architectural mistake has been made - admits Sandra Montenero, a university professor and director of the Municipal Public Works for many years - but they are marginal. The disaster is the inadequacy of those who thought to be able to create a very advanced project, almost a Roman Utopia, and have not being able to deal with it'“ (Giuseppe Pullara - Corriere della Sera on July 1, 2012)

Friday, March 7, 2014

MAUSOLEUM OF THE ARDEATINE QUARRIES

MAUSOLEO DELLE FOSSE ARDEATINE
1945/49 Nello Aprile, Cino Calcaprina, Aldo Cardelli, Uga De Plaisant (1917), Mario Fiorentino (1918/82) e Giuseppe Perugini (1914)
Bronze gates 1951 Mirko (Mirko Basaldella) (1910/69)
Sculptural group "The Three Ages" 1951 Francesco Coccia (1902/81)
"The project is based on a few elements that synthesize the austerity and the drama of the 335 coffins 'compressed' by the weight of the immense stone which 'floats' metaphysically one meter from the ground and covers it with his shadow space excavated below the level soil. It is an orderly space defined in contrast to the tortuosity of the tufa quarries connected to it by a single path that leads the visitor from the place of burial to the place of the slaughter. This contrast can also be seen in the twisted and expressive gates by Mirko Basaldella in contrast with the neat and pure expression of the tombstone" (Francesco Gatti - Arch'it)
On the 24th of March 1944 335 Italians were killed here in retaliation for the attack in Via Rasella on the day before when 33 German soldiers were killed as well as two Italian civilians who were just passing by
MUSEUM OF THE FOSSE ARDEATINE
Documents and memorabilia related to the German occupation in Rome

Saturday, October 26, 2013

TOWER HOUSES IN VIALE ETIOPIA

CASE A TORRE DI VIALE ETIOPIA
On the right 1951/54 Mario Ridolfi (1904/84) and Wolfgang Frankl (1907/94)
On the left 1957/62 Mario Fiorentino (1918/82)
Eight towers, a masterpiece of neo-realism in residential intensive housing