Showing posts with label Septimius Severus. Show all posts
Showing posts with label Septimius Severus. Show all posts

Tuesday, August 18, 2015

PALATINE HILL - EASTERN SIDE


ENTRANCE ON VIA DI S. GREGORIO
Gate by Jacopo Barozzi aka Vignola (1507/73) moved here from its original location on the Sacred Way
Entering it is possible to see the remains of buildings with vaults not yet studied that perhaps had functions of substructure

Segment of the aqueduct that connected the Celium Hill with the Palatine Hill built by Domitian (81/96) in continuation of that of Nero (54/68) from the Spes Vetus (Porta Maggiore) to the Celium Hill, in turn a continuation of the Aqueduct of Claudius (41/54) 69 km (43 miles) long from the valley of the Aniene River

Known as Septizodium or according to some archaeologists, Septizonium
It was the monumental façade of a fountain-nymphaeum adorned with columns to impress those who came from the Appian Way
Demolished in about 1588 by order of Pope Sixtus V Peretti (1585/90) to obtain building materials with which to construct various buildings, including the Sistine Chapel in the Basilica of S. Maria Maggiore, elements of the façade of S. Girolamo degli Illirici and the Fountains of the Crossroads of the Quattro Fontane

Structures of considerable height at the front end facing the Circus Maximus that had functions of substructure, to expand artificially the hill and create a platform to support the new wing of the palace at the time of Septimius Severus (193/211)
Though they are grand structures, they give only a faint idea of what was to be the grandeur of the original massive building

Bathhouse from the time of Domitian (81/96)
The upper part of the building, the area of the baths, was built in later times, among which the most important is that of Septimius Severus (193/211), as shown by the marks on the bricks
The construction continued until the time of Maxentius (306/312)

Among the Severan Baths and the Domus Augustana
Behind the building there is a cylindrical structure located towards the Circus Maximus, perhaps a latrine
Here Septimius Severus built a new imperial stage to watch the races of the Circus Maximus

160 x 48 m (525 x 157 feet)
At the two ends small semi-circular buildings, maybes fountains or terminal elements of the spina, the central dividing line
Originally there was a two-story portico restored in the Hadrian's period (117/138)
At the center along the east side there was the imperial box
Maybe it was the Viridarium, green space for rest and walking, and maybe even the Hippodromus Palatii
It was crossed by a wide boulevard ring from which paths and flower beds branched and it was decorated with statues and marbles
Here were found most of the statues now in the Museo Palatino
The small oval enclosure is perhaps dating back to the time of Theodoric (king of Italy 493/526) and may never have been used as an amphitheater, for gladiatorial games had been abolished for about 80 years at the time

Thursday, September 19, 2013

ARCH OF THE MONEY CHANGERS

ARCO DEGLI ARGENTARI
204 AD, built by the corporation of argentarii or money changers
It was one of the entrances to the Forum Boario in Severian period (193/235)
On the left:
Caracalla (211/217) by a figure later erased for damnatio memoriae, maybe representing his brother Geta (211/212) or the praetorian prefect Plautianus (killed in 205 by order of Caracalla), and his daughter Plautilla, wife of Caracalla who later sent her in exile
On the right:
Septimius Severus (193/211) and Julia Domna with another erased figure (Plautilla or Geta)
"The front, the lack of perspective and the drawn outline of the figures, coupled with the hierarchy of scale are all elements that, anticipating formal modes of expression of late antiquity, combine to give a mystical aura to the imperial image" (Simona Fortunelli - TMG)
Numerous holes were dug on the arch in the Middle Ages to search for an elusive treasure that was hidden by argentarii

Wednesday, September 18, 2013

CASTRENSIS AMPHITHEATER

ANFITEATRO CASTRENSE
Severian period (193/235). 88 x 75 m (288 x 252 feet)
Perhaps the private amphitheater of the PALATIUM SESSORIANUM (maybe from sedeo, living room), later incorporated in the Aurelian Walls
In mid-1500 the two upper orders were destroyed and only the first remains
From the amphitheater a grand CORRIDOR 300 m (985 feet) long and 14 m (46 feet) wide began along the great hall (now the Basilica of Santa Croce) ending up at the CIRCO DI VARIANO