Via Niccolò Porpora 22/Via Saverio
Mercadante
1920/23 Arnaldo
Foschini (1884/1968) e Attilio Spaccarelli (1890/1975) for the engineer
Adolfo Sebastiani
The
original name was VILLINO ROSMUNDA and the architectural style was the traditional
one very common at the time, the so called Cinquecentismo
(revival of the sixteenth century), even though adorned with decorative
elements typical of the Roman Barocchetto
RAISING OF
ONE FLOOR
1955/56 Mario Ridolfi (1904/84) and Wolfgang
Frankl (1907/94) for the Maria Luisa and Sante Astaldi owners of the
building since 1954
For about
three decades, from 1950 to 1980, the villa hosted a literary salon attended by
various personalities from the Italian cultural world
"The
Astaldi Small Villa, celebrated for the memory that ties it to the figure of
Ridolfi and never to that of Foschini is, today, a work of architecture among
the most complex. It is the symbol of the past that has ceased to flow in the
present and a trip through the restlessness of our modern consciousness: not
only a stratification that, as a geological repository, shows the trauma of the
various periods of styles, but also the representation, visible, of a critical demolition
of an entire season of Roman architecture and a break of which we still carry
the scars. (...) Mario Ridolfi, one of the best architects in the Rome scene demolishes
the top volume of the attic of the building to build a large floor of reinforced
concrete, protruding from the top. A new building was so created, freely
resting, it seems, on a kind of artificial soil, on modern ruins: 'completely
detached - in the words of Ridolfi - and disengaged from the rest', it is
devoid of the organic link that, in Rome, has always tied pre-existing
constructions to the new ones. For this history of lacerations, Villino Astaldi
seems to synthesize, in an exemplary manner, values and contradictions of modern
Roman architecture, where the quality of architecture is confronted with the
fragility of rules and the sense and character of constructed evidence seems to
become uncertain, even in the consciousness of the best architects"
(Giuseppe Strappa - The value of a symbol, in Corriere della Sera on
04.03.2006)
After the
death of the Astaldi couple the building was the headquarters from 1983 to 2006
of the association ITALIA NOSTRA to which it had been bequeathed
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