Showing posts with label Tullio Passarelli. Show all posts
Showing posts with label Tullio Passarelli. Show all posts

Monday, December 23, 2019

St. TERESA OF ÀVILA

S. TERESA D'AVILA
Corso d'Italia 37

1901/02 Tullio Passarelli (1869/1941)
Next door there is the General Curia of the Discalced Carmelites
It was built in Romanesque Revival style

In the FAÇADE
“Two marble lions” by Armando Brasini (1879/1965)

In the BRONZE PORTAL
Reliefs “Stories of St. Teresa” 1983 by Fra 'Serafino Melchiorre
“Statue of St. Teresa” by Giuseppe Trabacchi (1839/1909)

Monday, December 12, 2016

PALACE OF THE STOCK EXCHANGE

PALAZZO DELLA BORSA
Temple of Hadrian transformed in 1695 by Carlo Fontana (1634/1714) and his son Francesco Fontana (1668/1708) in the headquarters of the Dogana di Terra (Land Customs Office) for Innocent XII Pignatelli (1691/1700)
Modified in 1879 by Virginio Vespignani (1808/82) to become the headquarters of the Camera di Commercio e della Borsa Valori (Chamber of Commerce and Stock Exchange)
Renovated in 1928 by Tullio Passarelli (1869/1941) who made the columns more visible
Tempio di Adriano
Temple of Hadrian
Embedded in the Palazzo della Borsa
Dedicated in 145 AD by Antoninus Pius (138/161) to his predecessor Hadrian (117/138)
Temple peripteral octastyle (surrounded by columns of which eight on the front) with thirteen columns on the long sides of which there are eleven left in white marble Proconnesian (Marmara Sea, Turkey) 15 m (49 feet) high on a podium of about 4 m (13 feet)
It was preceded by a staircase at the entrance on the east side that was facing towards the Via Lata, the present Via del Corso
Inside the building there are the remains of the coffered vault of the cella, the internal room
Embedded in the base inside the cella “Marble reliefs of provinces subject to Rome” were found, now in the courtyard of the Palace of the Conservatives, in Palazzo Massimo, and in the National Museum of Naples
“The formal and iconographic precedents date back to the ‘nationes’ of Pompey and even before, but conceptually the difference is substantial, because these are not peoples subjected by the victorious emperor, but the reality of the empire that surrounds the prince, and that at his death is symbolically present together with the Roman people, to assist him being accepted among the gods: no longer the Italy of Augustus, but an ecumenical conception of Rome and a first step towards the not so distant granting of the citizenship to anybody living in the provinces” (Francesca de Caprariis and Fausto Zevi)
Around the temple there was maybe a large ARCADED SQUARE of about 100 x 90 m (328 x 295 feet) with columns of yellow marble from Tunisia and on the side facing the Via Lata there was a MONUMENTAL ARCH which contained two reliefs, one now in Palace of the Conservatives and one in Palazzo Torlonia

Wednesday, March 5, 2014

CENTRAL WAREHOUSES

MAGAZZINI GENERALI
1909/12 Tullio Passarelli (1869/1941)
They were built to store the goods arriving at the river port. They were one of the first examples of use of reinforced concrete in Rome
They were restored and converted in the years 1986/94 to become the headquarters of ISTITUTO SUPERIORE ANTINCENDI (Superior Istitute for Firefighters), a multi-purpose training school for firefighters

Sunday, March 2, 2014

DE MERODE SCHOOL

ISTITUTO DE MERODE
1902/03 Tullio Passarelli (1869/1941), a student of Gaetano Koch and exponent of Roman Eclecticism
"The Passarelli studio is a Roman studio, in the sense that through its production it explains well the kind of language widespread in the city space, so as to become archetypal without ever falling into the regime rhetoric, historicism or worse in the vernacular" (Alessandro Anselmi)